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The Body at the Edge of the Surface
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How four queer London migrants honour ancestry, resist institutional obedience, and rebel through tenderness in their collaborative project, Queer Migrations.
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On Samuel Kłoda’s Exhibition at UFO Art Gallery in Kraków
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Home and What Remains Visible.
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Five Projects Worth Your Attention at the Rencontres d'Arles 2026
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Iri Kristiansen’s Reimagining of ‘Gullterning’
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Tracey Emin’s ‘A Second Life’ at Tate Modern
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In Conversation with Bogna Burska and Daniel Kotowski
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Painting as Material Negotiation
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Notes From an Assistant Curator on Ștefan Câlția, Transylvania and the Making of a New Language
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Victoria Yuanli Yuan: The Body at the Edge of the Surface
Tracing the porous boundaries between body, environment and matter, Victoria Yuanli Yuan’s practice considers corporeal experience as a process of continual exchange, where water, memory and material transformation unsettle the limits of the self.
That Endless Thirst for Being. How four queer London migrants honour ancestry, resist institutional obedience, and rebel through tenderness.
There is somewhat of a renaissance of late occurring in the contemporary arts scene, where increasingly more artists are probing their cultural heritage and digging deeper into their ancestral roots to inform and make sense of their present practice.
Layers of Affects in ‘Creak, Crash and Crow’. On Samuel Kłoda’s Exhibition at UFO Art Gallery in Kraków
Visiting the UFO Art Gallery in Kraków this summer at the turn of June and July was a chance to experience a dense, almost electrifying atmosphere permeating the exhibition space.
Current Events
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The Kids Are Not Alright, and That’s Okay. Post-Socialist Dreams in ‘Gen Z. All at Once’ at MO Museum, Vilnius
Memory, Perception and the Practice of Noticing: ‘When Light Breaks the Dark’ at Bomb Factory Art Foundation
