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How four queer London migrants honour ancestry, resist institutional obedience, and rebel through tenderness in their collaborative project, Queer Migrations.
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On Samuel Kłoda’s Exhibition at UFO Art Gallery in Kraków
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Home and What Remains Visible.
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Five Projects Worth Your Attention at the Rencontres d'Arles 2026
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Iri Kristiansen’s Reimagining of ‘Gullterning’
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Tracey Emin’s ‘A Second Life’ at Tate Modern
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In Conversation with Bogna Burska and Daniel Kotowski
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Painting as Material Negotiation
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Notes From an Assistant Curator on Ștefan Câlția, Transylvania and the Making of a New Language
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That Endless Thirst for Being. How four queer London migrants honour ancestry, resist institutional obedience, and rebel through tenderness.
There is somewhat of a renaissance of late occurring in the contemporary arts scene, where increasingly more artists are probing their cultural heritage and digging deeper into their ancestral roots to inform and make sense of their present practice.
Layers of Affects in ‘Creak, Crash and Crow’. On Samuel Kłoda’s Exhibition at UFO Art Gallery in Kraków
Visiting the UFO Art Gallery in Kraków this summer at the turn of June and July was a chance to experience a dense, almost electrifying atmosphere permeating the exhibition space.
Xianzhuyue Li. Home and What Remains Visible.
What does it mean to belong to a place when that place is constantly moving? And what happens when a life disappears from view before it can be remembered? These questions sit beneath Xianzhuque Li’s photography, where belonging is never entirely secure, and visibility is never guaranteed.
Current Events
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Memory, Perception and the Practice of Noticing: ‘When Light Breaks the Dark’ at Bomb Factory Art Foundation
A Summer of New Possibilities: 12 International Opportunities for Artists to Apply This Season
