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Maryna Sakowska’s ‘Ex Cathedra’ at TRAFO in Szczecin
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The Images That Raise Us, The Expectations That Hold Us.
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‘A Culture of Excess’ Exhibition at Galeria XX1
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"Marilyn Monroe. I feel like I know her, but sometimes my arms bend back" at Krupa Art Foundation
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What Does It Mean to Feel Safe?
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A panel discussion by Contemporary Lynx as part of the 24th SURVIVAL Art Review in Wrocław
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Shifting Images, Dissolving Forms.
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‘国建 ā á ǎ à KENBO’s Art Journey from the East to the West’ at Trafostacja Sztuki, Szczecin.
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The Body at the Edge of the Surface
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How four queer London migrants honour ancestry, resist institutional obedience, and rebel through tenderness in their collaborative project, Queer Migrations.
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On Samuel Kłoda’s Exhibition at UFO Art Gallery in Kraków
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Structures of Authority, Fragments of Reality: Maryna Sakowska’s ‘Ex Cathedra’ at TRAFO in Szczecin
Ex cathedra installation and found objects to examine the structures through which social reality is produced, maintained and experienced.
Remote English Proofreading and Content Creation Internship Contemporary Lynx Team
Contemporary Lynx offers an internship as the Proofreader of our articles on arts and culture written by an international team of contributors for Contemporary Lynx Weekly Online.
Karen Page. The Images That Raise Us, The Expectations That Hold Us.
Karen Page is a London-based contemporary artist whose practice begins with the visual material that surrounds us: advertisements, magazine imagery, popular culture, representations of women and the language used to describe them.
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That Endless Thirst for Being. How four queer London migrants honour ancestry, resist institutional obedience, and rebel through tenderness.
