Aleksandra Nowicka- Czyżewska. Photo by Kaja Kwaśniewska.
review

12 emerging Eastern European artists to watch in 2025. A driving force in contemporary art discourse.

The Eastern European art market is entering a turning point, marked by a surge of new talent and a spotlight on the local emerging voices. In 2025, this creative renaissance is changing the world’s perception, with Poland, the Czech Republic, Romania, and Slovakia becoming dynamic players on the international stage. Warsaw, in particular, has become a hub of experimentation, with a new generation of artists redefining local scenes and making waves in Western markets. Across the region, this outburst of energy signals a transformative chapter that positions Eastern Europe as a driving force in contemporary art discourse.

We present you with twelve emerging artists who have already attracted attention and are currently on the verge of evolution. Their upcoming work hints at bold new directions and unexplored ideas, raising curiosity about who they are and what they will bring to the table this year.

Poland

Moving between soft pastels and sandy realism, Polish figurative artists’ work represents an unpurified but at the same time dreamy vision of reality. Their art combines tenderness with a dash of harsh realism, building layered stories that intertwine emotional and social.

JULIA KOWALSKA

Julia Kowalska’s (b. 1998) practice delves into the boundaries of figuration, forming fleeting, supernatural scenes through introjections. Rooted in the subconscious, her paintings evoke ephemeral moments, mixing dreams of form with layers of memory and imagination.

Julia Kowalska, credit: Artlover Magazine & Pierre Björk.
Julia Kowalska, credit: Artlover Magazine & Pierre Björk.
Julia Kowalska, Untitled, 2024, Oil on Canvas, 100 x 130 cm.
Julia Kowalska, Untitled, 2024, Oil on Canvas, 100 x 130 cm.
Julia Kowalska, Blush, 2024, oil on canvas, 120 x 160 cm.
Julia Kowalska, Blush, 2024, oil on canvas, 120 x 160 cm.

PATRYK STARUCH

Patryk Staruch‘s (b. 1999) works are oriented to the crossover of urban landscapes and human psychology. Inspired by the mythical power of film and photography, he reflects on the complexity of everyday life through night lenses. His paintings weave an autobiography with cultural criticism, exploring moments of introspection and urban isolation.

Patryk Staruch. Photo by Mateusz Woźniak.
Patryk Staruch. Photo by Mateusz Woźniak.
Patryk Staruch_, Tekla, 2023, oil on canvas, 150x200cm.
Patryk Staruch_, Tekla, 2023, oil on canvas, 150x200cm.
Patryk Staruch, Suburbs, 2023, gouache on paper, 38x48cm.
Patryk Staruch, Suburbs, 2023, gouache on paper, 38x48cm.

KAROLINA ŻĄDŁO

The art of Karolina Żądło (b. 1999) carefully studies the figure. Using transparent materials to cover her objects, she challenges the notions of vulnerability and transformation. Pearls become a shield, flowers emit danger and delicate fabrics turn into symbolic layers, switching between fragility and resistance.

Karolina Żądło, Portrait, Courtesy of the artist.
Karolina Żądło, Portrait, Courtesy of the artist.
Karolina Żądło, a photo of the exhibition view titled: I am not transparent.
Karolina Żądło, a photo of the exhibition view titled: I am not transparent.
Karolina Żądło, Pearl, 90 cm x 160 cm, oil on canvas, 2024
Karolina Żądło, Pearl, 90 cm x 160 cm, oil on canvas, 2024

ALEKSANDRA NOWICKA-CZYŻEWSKA 

Aleksandra Nowicka-Czyżewska (b. 1997) reconstructs personal and collective memory through figuration and photorealism. By recounting family photo albums, she combines emotional resonance with historical and cultural identity. Her work reinterprets interiors and objects associated with “the flesh” by re-examining traditional realism in a contemporary context.

Aleksandra Nowicka- Czyżewska. Photo by Kaja Kwaśniewska.
Aleksandra Nowicka- Czyżewska. Photo by Kaja Kwaśniewska.
Aleksandra Nowicka- Czyżewska, Long live the ball, 160x120cm, oil on canvas, 2023.
Aleksandra Nowicka- Czyżewska, Long live the ball, 160x120cm, oil on canvas, 2023.
Aleksandra Nowicka- Czyżewska, Working Sunday, 160x110cm, oil on canvas.
Aleksandra Nowicka- Czyżewska, Working Sunday, 160x110cm, oil on canvas.

Romania

Crossing the boundaries between surrealism, reality, and digital experiments, Romanian artists use bright colours and innovative methods to reflect themes of identity, emotional depth, and tension between physical and virtual reality.

RAZVAN BOAR

Razvan Boar’s (b. 1982) work mixes surreal influences with indelible, creating compositions permeated by mystery and allegory. His paintings direct archetypal narratives, fusing fantasy and reality to create intuitive, instinctive images that resist easy interpretation.

Razvan Boar
Razvan Boar
Razvan Boar, On The Nature Of Things, 2022, oil on canvas, 70x54,8 cm, Photo credits Nicodim Gallery.
Razvan Boar, On The Nature Of Things, 2022, oil on canvas, 70×54,8 cm, Photo credits Nicodim Gallery.
Razvan Boar, Three Witnesses (after Max Ernst), 2023, oil on canvas, 74x59,8 cm, Photo credits Nicodim Gallery.
Razvan Boar, Three Witnesses (after Max Ernst), 2023, oil on canvas, 74×59,8 cm, Photo credits Nicodim Gallery.

RADU PANDELE 

Radu Pandele (b. 1993) combines painting, frescoes, ceramics, and digital media in his interdisciplinary practice. Bright, punk-inspired palettes explore the intersection of decay, cultural appropriation, and digital culture. Through 3D modelling and mixed media, his work interweaves the physical and transitional nature of the digital domain.

Pandele Radu, Photo: Ionut Dobre.
Pandele Radu, Photo: Ionut Dobre.
Pandele Radu, A question for the mind readers-100x123 cm 3d Render printed on metal, Handmade wooden frame UNIQUE SERIES 2022.
Pandele Radu, A question for the mind readers-100×123 cm 3d Render printed on metal, Handmade wooden frame UNIQUE SERIES 2022.
Pandele Radu, Another sky, 100 x 75 cm. Airbrushed acrylic ink on canvas, 2024.
Pandele Radu, Another sky, 100 x 75 cm. Airbrushed acrylic ink on canvas, 2024.

Czech Republic

Czech contemporary artists seamlessly integrate figurative and conceptual techniques, often infusing their works with a fairy-tale and game-like aesthetic. Their themes centre on pragmatism, identity, and humanity’s connection with the natural world.

PETR DEJMEK

Petr Dejmek (b. 1997) paints vivid lifestyles reflecting the intensity of human and animal experience. His recent work focuses on animals, mixing detailed, symbolic representations with an intuitive, energetic style that combines precision and a sense of primary connection.

Petr Dejmek
Petr Dejmek
Petr Dejmek
Petr Dejmek
Petr Dejmek "Homelike"
Petr Dejmek “Homelike”

ANNA RUTH

Anna Ruth’s (b. 1994) multidisciplinary work explores the themes of spirituality and human existence using organic forms and abstract symbolism. Mixing the dust stain with acrylic binders, she creates earthly textures and muted tones, adding depth to her exploration of life’s transformation and interconnectedness.

Anna Ruth. Photo by Pavel Sinagl.
Anna Ruth. Photo by Pavel Sinagl.
Anna Ruth Fall, 2024, acrylic and pigment on canvas 150 x 150 cm.
Anna Ruth Fall, 2024, acrylic and pigment on canvas 150 x 150 cm.
Anna Ruth - Exchange, 2024, acrylic on canvas 35 x 35 cm.
Anna Ruth – Exchange, 2024, acrylic on canvas 35 x 35 cm.

ESTER PARASKOVÁ

Ester Parasková’s (b. 1993) dynamic approach mixes the drawing with expressive oil painting. Her evolving style relates to mass, weight, and lightness by studying contrasts such as elegance and roughness. Recent works emphasise her growth, balancing decisive gestures with introspective thinking.

Ester Paraskova
Ester Paraskova
Ester Paraskova
Ester Paraskova
Ester Paraskova
Ester Paraskova

RENATA MACHÝČKOVÁ

Renata Machýčková (b. 1988) studied under Vladimír Skrepl and Jiří Kovanda, complementing her training with experimental techniques such as wax work and paper cutting. Her recent emphasis on femininity is translated into a fluid, sketchy painting that connects fragments of the past with imagined futures.

Renata Machýčková. Photo copyright: Paolo Biava (@paolobiava_ph).
Renata Machýčková. Photo copyright: Paolo Biava (@paolobiava_ph).
Renata Machýčková, Cabaret dancer, 50x40cm, acrylic and ink on canvas, 2024.
Renata Machýčková, Cabaret dancer, 50x40cm, acrylic and ink on canvas, 2024.
Renata Machýčková, Things happen at night, 150x100cm, acrylic on canvas, 2024.
Renata Machýčková, Things happen at night, 150x100cm, acrylic on canvas, 2024.

Slovakia

From expressive painting to experimental research-based art, often addressing themes of identity and ecological awareness, Slovakian contemporary artists are redefining creative boundaries through diverse and multidisciplinary practices. 

NATALIA SÝKOROVÁ

Natalia Sýkorová (b. 1998) explores spatial and performative behaviour using literature and somatic writing to study environmental issues. Her interdisciplinary projects, based on architectural and artistic research, offer new ways of understanding climate literacy and sensory participation in the context of environmental change.

Natalia Sykorova
Natalia Sykorova, photo by Natalia Evelyn Bencicova.
Natalia Sykorova
Natalia Sykorova
Natalia Sykorova
Natalia Sykorova

MILOŠ HRONEC 

Miloš Hronec draws artistic inspiration from his surroundings, which have shaped his creative journey. Working with oil, acrylic, spray, and drawing, his expressive style blends elements of expressionism, street art, and graffiti. Deeply influenced by history and the present, his work reflects a fascination with the passage of time, human progress, technological evolution, and the transience of life.

Miloš Hronec
Miloš Hronec
Miloš Hronec, Interspecies relationship (2024) Oil, acrylic, spray on canvas 180 x 200 cm.
Miloš Hronec, Interspecies relationship (2024) Oil, acrylic, spray on canvas 180 x 200 cm.
Miloš Hronec, The beauty of mortality (2024) Oil, acrylic, spray on canvas 90 x 100 cm.
Miloš Hronec, The beauty of mortality (2024) Oil, acrylic, spray on canvas 90 x 100 cm.

About The Author

Kate
Kadeniuk

Kate Kadeniuk, an independent curator and writer based in London, originally from Ukraine, focuses on contemporary art. Holding a Bachelor’s degree in Arts Marketing from the University of Hertfordshire and having completed a course in independent art curation at Central Saint Martins, UAL, London, with five years of professional experience, working with Maureen Paley, Frieze, Roman Road Gallery, Hauser & Wirth, 180 Studios, and Nebo Art Gallery. Also a contributing writer for Émergent and NASTY magazines.

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