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New York: Krzysztof Wodiczko
January 25, 2020 - March 7, 2020
Detail: Statue of Abraham Lincoln, Lincoln Memorial, Washington, DC, USA.
“A HOUSE DIVIDED…”
Galerie Lelong & Co. is pleased to present Krzysztof Wodiczko: A House Divided…, a new projection-installation work exploring contemporary political polarization in the United States and reflective of the world at large. This exhibition follows the opening of the artist’s most recent site-specific projection, Monument, commissioned by Madison Square Park Conservancy and on view January 16 through May 10, 2020.
Wodiczko’s lifelong investigation of speech in public spaces aims to give voice to the marginalized and thereby generate an impetus for systematic change. Wodiczko’s practice, which he terms “Interrogative Design,” combines art and technology with contemporary issues of urban, historical, and aesthetic culture. A House Divided… stands out as Wodiczko’s first work that focuses on a population defined not by glaring injury, but by painful disagreement. The citizens of New York’s Staten Island were recorded expressing their deeply felt political views. Through video projection, these recordings animate the faces, hands and feet of two statues of Abraham Lincoln as the interviewees’ voices fill the gallery. Looming at eight feet tall and positioned to face one another as if in conversation, these “Lincolns” engage in frank exchange, testifying to the divergent political views among members of a singular community and, in some cases, from within the same family.
The methodology behind A House Divided… was previously explored in My Wish (2017), a work commissioned and in the collection of the National Museum of Modern and Contemporary Art, Seoul, South Korea. Similarly, Wodiczko brought members of Korean society together in unified social participation; participants sharing their unique experiences, hopes and dreams as their likenesses were projected on Kim Koo, the Korean independence activist. Wodiczko has previously given a public platform to marginalized voices such as mothers who have lost their children to murder (Bunker Hill Monument, Boston, Massachusetts, 1998), survivors of the Hiroshima atomic bomb (A-Bomb Dome Projection, Hiroshima Peace Memorial, Japan, 1999), and exploited female laborers (El Centro Cultural, Tijuana, Mexico, 2001) amongst many others.
The exhibition’s title refers to the phrase “A house divided against itself cannot stand” from Abraham Lincoln’s 1858 speech during an unsuccessful run for U.S. Senate, which quoted a passage from the Bible, Matthew (12:22-28). Lincoln borrowed a familiar phrase in order to garner support for the contentious proposition of unifying a rapidly expanding nation teetering on the brink of war. Wodiczko repurposes the statement in a contemporary setting to highlight the partisan contention. In 2019, Wodiczko conducted research of suburban social landscapes in the Tri-State area before choosing Staten Island, a New York City borough that is racially and ethnically diverse yet a simultaneously politically divided geography: north as liberal-leaning and south as conservative-leaning.