#Framed in Belarus, Aliaksandr Piatrashka, stitched by An Kzlka, 2022
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Portfolio: Rufina Bazlova artist who works in illustration, social artwork, scenography and performance

Rufina Bazlova is a Prague-based artist who works in illustration, social artwork, scenography and performance. Bazlova got a Master degree in illustration (FDU LS, ZČU. 2015) and a second bachelor degree in stage design (KALD, DAMU. 2020). Rufina gained an international profile for her series The History of Belarusian Vyzhyvanka / vyzyvanka.com /, which uses the traditional folk embroidery medium to depict the peaceful protests in Belarus in 2020. The Artist is also known as the author of the fully embroidered comic Zhenokol (Feminnature), which explores the theme of feminism present in folk traditions. Bazlova is a coauthor of the installation about the Female Belarusian Triumvirate of Svetlana Tikhanovskaya, Maria Kolesnikova and Veronika Tsepkalo, created specially for the famous political Charlemagne prize 2022 in Aachen. In August 2022 the Ukrainian president Volodymir Zelenskij opened the week of independence wearing a shirt with Bazlova’s ornament.

Rufina Bazlova, pfoto by Matej Stransky for magazine Respekt
Rufina Bazlova, pfoto by Matej Stransky for magazine Respekt

In 2021 Bazlova together with Sofia Tocar founded a Stitchit art group and works on burning socio-political issues using the traditional technique of embroidery as a tool of resistance and dialogue. Stitchit involves different communities and individuals into the creation process and blurs the lines of authorship. The current project “Framed in Belarus” / framedinbelarus.net / is dedicated to political prisoners in Belarus.


#FramedinBelarus, Yahor Mikhailau, stitched by Katerina Hola & Rufina Bazlova, 2022
#FramedinBelarus, Yahor Mikhailau, stitched by Katerina Hola & Rufina Bazlova, 2022
#Framed in Belarus, Ales Pushkin, stitched by Vilde Farup Halvorsen, frontside, photo by Daria Rud'ko, 2022
#Framed in Belarus, Ales Pushkin, stitched by Vilde Farup Halvorsen, frontside, photo by Daria Rud’ko, 2022
#Framed in Belarus, Ales Pushkin, stitched by Vilde Farup Halvorsen, backside, photo by Daria Rud'ko, 2022
#Framed in Belarus, Ales Pushkin, stitched by Vilde Farup Halvorsen, backside, photo by Daria Rud’ko, 2022
#Framed in Belarus, Ales Pushkin, stitched by Naya, frontside, photo by Daria Rud'ko, 2022
#Framed in Belarus, Ales Pushkin, stitched by Naya, frontside, photo by Daria Rud’ko, 2022
#Framed in Belarus, QR to FRAMEDINBELARUS
#Framed in Belarus, QR to FRAMEDINBELARUS
#Framed in Belarus, Aliaksandr Piatrashka, stitched by An Kzlka, 2022
#Framed in Belarus, Aliaksandr Piatrashka, stitched by An Kzlka, 2022
#Framed in Belarus, Survival Kit Festival in Riga, Rufina Bazlova, photo by Sofia Tocar, 2022
#Framed in Belarus, Survival Kit Festival in Riga, Rufina Bazlova, photo by Sofia Tocar, 2022

#Framed in Belarus
Social art project about political prisoners in Belarus

The number of officially recognized political prisoners in Belarus currently reaches more than 1,300 people.

Each and every one of us has the opportunity to speak out against injustice through solidarity and collective creative process.

The aim of the #FramedinBelarus project is to tell about each illegally convicted citizen of Belarus and create their portraits using the traditional Belarussian technique of embroidery with red thread on a white background, and as a result – to record an important era of Belarusian history with a folk code ornament.
The process of embroidery is a long and meditative experience, allowing participants to concentrate on their thoughts and feelings for a particular arrestee. Time is what is taken away from a person in prison and time is the little we can sacrifice when creating a portrait of a political prisoner.

Participation in the project is a gesture of creative solidarity, allowing us to symbolically support people affected by the state regime and share a story about their experience using a non-traditional tool of political protest – cross-stitching.


Rufina Bazlova, Mandorla, Live. Occupied, Busy, No Way
Rufina Bazlova, Mandorla, Live. Occupied, Busy, No Way
Rufina Bazlova, Car, 2021
Rufina Bazlova, Car, 2021
Rufina Bazlova, Samokat, 2021
Rufina Bazlova, Samokat, 2021
Rufina Bazlova, Ženokol or Feminnature, Dress, 2012
Rufina Bazlova, Ženokol or Feminnature, Dress, 2012
Rufina Bazlova, Ženokol or Feminnature, story, 2012
Rufina Bazlova, Ženokol or Feminnature, story, 2012
Rufina Bazlova, Ženokol or Feminnature, story, 2012
Rufina Bazlova, Ženokol or Feminnature, story, 2012
Rufina Bazlova, poster, Solidarity with Soligorsk, 2020
Rufina Bazlova, poster, Solidarity with Soligorsk, 2020, silkscreen printed poster
Rufina Bazlova, poster, Manure, 2020
Rufina Bazlova, poster, Manure, 2020, silkscreen printed poster
Rufina Bazlova, poster, Government House, 2020
Rufina Bazlova, poster, Government House, 2020, silkscreen printed poster
Rufina Bazlova, poster, Flags in Kaskad District, 2020
Rufina Bazlova, poster, Flags in Kaskad District, 2020, silkscreen printed poster
Rufina Bazlova, poster, Autozak, 2020
Rufina Bazlova, poster, Autozak, 2020, silkscreen printed poster
Rufina Bazlova, Saga of Belarusian protests, photo by Pieter Kers for Beeld
Rufina Bazlova, Saga of Belarusian protests, photo by Pieter Kers for Beeld
Rufina Bazlova, Maria
Rufina Bazlova, detail of the installation for the Charlemagne prize 2022 in Aachen. Dress – Maria Kolesnikova.
Rufina Bazlova, Maria
Rufina Bazlova, detail of the installation for the Charlemagne prize 2022 in Aachen. Dress – Svetlana Tihanovskaya.
Volodymir Zelenskij, Photo Associated Press
Volodymir Zelenskij, Photo Associated Press
Volodymir Zelenskij's shirt element, free for stitching, 2022
Volodymir Zelenskij’s shirt element, free for stitching, 2022

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