Around 100 looks and 100 artworks, displayed across three galleries
Fashioning Masculinities: The Art of Menswear is the first major V&A exhibition to celebrate the power, artistry and diversity of masculine attire and appearance. The show traces how menswear has been fashioned and refashioned over the centuries, and how designers, tailors and artists – and their clients and sitters – have constructed and performed masculinity, and unpicked it at the seams.
The exhibition Fashioning Masculinities: The Art of Menswear presents around 100 looks and 100 artworks, displayed thematically across three galleries and the finale. Contemporary looks by legendary designers and rising stars are displayed alongside historical treasures from the V&A’s collections and landmark loans: classical sculptures, Renaissance paintings, iconic photographs, and powerful film and performance.
From looks by Gucci, Harris Reed, Grace Wales Bonner and Raf Simons, to paintings by Sofonisba Anguissola, Kehinde Wiley and Joshua Reynolds, contemporary artworks by Robert Longo, Omar Victor Diop and Yinka Shonibare CBE, to an extract from an all-male dance performance by Matthew Bourne’s New Adventures, the exhibition showcases the variety of possible masculinities across the centuries from the Renaissance to the global contemporary. Outfits worn by familiar faces are interspersed throughout, from Timothée Chalamet and Sam Smith, to David Bowie and Marlene Dietrich. Innovative creations and diverse representations highlight and celebrate the multiplicities of masculine sartorial self-expression, dressing beyond the binary.
Claire Wilcox and Rosalind McKever, co-curators of Fashioning Masculinities: The Art of Menswear, said: “Masculine fashion is enjoying a period of unprecedented creativity. It has long been a powerful mechanism for encouraging conformity or expressing individuality. Rather than a linear or definitive history, this is a journey across time and gender. The exhibition brings together historical and contemporary looks with art that reveals how masculinity has been performed. This is a celebration of the masculine wardrobe, and everyone is invited to join in.”
Undressed explores the male body and underwear, looking at how classical European ideals of masculinity have been perpetuated and challenged over the centuries. Plaster casts of the Apollo Belvedere and the Farnese Hermes – which highlight a tradition of depicting idealised male bodies draped in textiles that reveal more than they conceal – are juxtaposed with modern and contemporary representations of the body, from prints and photography by David Hockney, Lionel Wendt, Zanele Muholi, Del LaGrace Volcano and Isaac Julien, to a Calvin Klein advertisement.
The second gallery, Overdressed, explores the elite masculine wardrobe, epitomised by oversized silhouettes, lavish materials like silks and velvet in daring colours, and symbolic patterns to express status, wealth and individuality. Drawing synergies across the centuries, the section features armoured breastplates to silky smoking suits, sweeping capes to ribbons and lace, including Grinling Gibbons’ wooden carving imitating a Venetian needlepoint lace cravat, displayed alongside real lace, and a Dolce & Gabbana cape juxtaposed with a Sofonisba Anguissola painting. The section also includes grooming, with makeup and shaving equipment.
The third gallery, Redressed, pieces together the modern masculine uniform of the suit, from Beau Brummell to the contemporary runway. Redressed opens with a reflection on English country tailoring and the origins of the suit – with historic garments from the V&A collection shown alongside contemporary reimaginings, including a kilt by Nicholas Daley – before exploring how military attire influenced civilian dress.
The exhibition culminates in a celebratory finale, showcasing three iconic gowns – a Christian Siriano tuxedo gown worn by Billy Porter, an Alessandro Michele for Gucci custom gown and tailored jacket worn by Harry Styles, and a wedding dress by Ella Lynch worn by Bimini Bon Boulash – alongside a specially commissioned, monumental film by Quentin Jones with Cadence Films.
Fashioning Masculinities: The Art of Menswear
In partnership with Gucci
Sainsbury Gallery
19 March – 6 November 2022
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Wales Bonner Spring Summer 2015 Afrique. Photo: Dexter Lander -
Waistcoat, 1730-35; of brocaded silk, French, naturalistic design on dark green ground. © Victoria and Albert Museum, London -
Sam Smith photographed by Alasdair McLellan, Hertfordshire, June 16, 2020. Stylist Ben Reardon. Styling Assistant Niccolo Torelli. Hair Anthony Turner. Make-up Anne Sofie Costa. Photography assistance Lex Kembery and Simon Mackinlay. -
Orange Culture, Autumn Winter 2020 Flower Boy two-piece set, photographed by Mikey Oshai, image courtesy of Adebayo Oke-Lawal, © Orange Culture -
Nicholas Hilliard, Young Man among Roses, c.1587© Victoria and Albert Museum, London -
CRAIG GREEN SS21, photography by Amy Gwatkin -
Chris Steele-Perkins, GB. ENGLAND. Bradford. Market Tavern. 1976. © Chris Steele-Perkins/Magnum Photos -
Ahluwalia SS21. Photographer Joyce NG
