Galerie nächst St. Stephan Rosemarie Schwarzwälder

The fleshy, sensual shapes stamped to a greater or lesser degree by allusions to male, female, or androgynous sexuality appeared in Maria Pinińska-Bereś’s art in the early 1960s. Educated in the studio of one of Poland’s foremost Modernist sculptors — Xawery Dunikowski —, she initially grappled with this libidinal imaginarium, using solid sculpting materials (cement) […]