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Maria Ilieva

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review Sofia Art Week 8. Courtesy of Æther Sofia

Spaces Shaping Sofia. 9 Initiatives Leading Bulgaria’s Capital Contemporary Art Scene.

Maria Ilieva Jan 09, 2026
artist in focus Detail of an installation In Times When Everything Else Seems More Important (2024–2025) by Eike Eplik. View from a solo show In Times When Everything Else Seems More Important by Eike Eplik, Kogo Gallery. Courtesy

Eike Eplik. Gardener of micro-worlds of care.

Maria Ilieva Jul 28, 2025
artist in focus Akyute, Photo Microbial Fuel Cell, Biodesign Investigation. Photo_ Saye (Interview) 2020. Courtesy of the artists. Copyright SAYE.

Akyute. Generating Natural Connections.

Maria Ilieva Jul 28, 2025
review SATR, photograph by Gray Chan, courtesy of the artist

Vibrant Streetscapes. 10 New Murals Reimagining Public Art.

Maria Ilieva Jul 18, 2025
Interview Photo by Pesthy Márton. Courtesy of CODE

Immersion, Memory, and Hexagonal Futures. In Conversation with the COO of CODE Veszprém.

Maria Ilieva Jun 20, 2025
review Fat Convertible © Erwin Wurm, Bildrecht Wien, 2025, Photo by Galeria Duarte Sequeira

Playful criticism of the daily contemporary. Erwim Wurm’s first solo show in Latvia.

Maria Ilieva Jun 12, 2025
review Pipilotti Rist (in blue) with the board of the Sikkens Foundation, Sikkens Prize 2024. Photographer Anne Reitsma, courtesy of Sikkens Prize Foundation.

Shaping the Art World. 11 Awarded Visual Artists to Keep an Eye On.

Maria Ilieva May 21, 2025
review

Artist in Focus: Lucia Tallová. Poetic contemplations on memory.

Maria Ilieva May 19, 2025
review Selma Selman. Photo by Réka HEGYHÁTI. Courtesy of the artist and the acb Galéria, Budapest

The Art of Presence. 11 Artists Discovered at SPARK Art Fair Vienna 2025.

Maria Ilieva Apr 29, 2025
review Project The Slow Adventure, (2021). Photo Tom Warner. Courtesy of Artica Svalbard and the Office for Contemporary Art Norway (OCA)

10 Open Calls for Artists Closing May to July. Bring Your Work to the World.

Maria Ilieva Apr 25, 2025

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‘From frescoes to video projections and post-graffiti’ In the conversation with Hanna Shumska

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