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Issue ruins

review Do Ho Suh, Nest/s, 2024, tkanina poliestrowa, stal nierdzewna, 410,1 x 375,4 x 2104,5 cm © Do Ho Suh. Dzięki uprzejmości artysty i Lehmann Maupin, Nowy Jork, Seul i Londyn. Zdjęcie: Jeon Taeg Su

In the Memory of Home. Permanence and Fragility in the Works of Do Ho Suh and Daria Koltsova.

Paulina Mamot Feb 27, 2026
Interview Letters from Wolf Street, 2025, dir. Arjun Talwar, film still. Courtesy of the director.

Filming Another Europe. In Conversation with Arjun Talwar, Director of “Letters from Wolf Street”.

Jelena Sofronijevic Feb 26, 2026
review "Down Deep" exhibition view, photo by Tomasz Maryks. Courtesy of PGS in Sopot.

The Ocean and Its Ruins. “Down Deep: Living Seas, Living Bodies” at PGS Sopot.

Malgorzata Perigot-Grygielewicz Feb 11, 2026
review Maksud Ali Mondal, Garden of Heterotopia, 2022. Courtesy of the artist

Porous Interventions. 7 Artists on Ruins and the Politics of Openness.

Aleksandra Lisek Jan 30, 2026
review Karolina Gembara, from the Mind of Winter series (pictures from family archive). Courtesy of the artist

To Reinvent, Rebuild, Reimagine. 7 Artists Working with Remains of Stories.

Grażyna Siedlecka Jan 30, 2026
essay Barnabás Neogrády, Kiss, PAD, Segregated neighborhoud fieldwork, Tatabánya. Courtesy of the artist and PAD Foundation

The Weight of Industrial Nostalgia. What Remains of the Working Landscape.

Diána Berecz Jan 30, 2026
essay Still from "Missa Echologica" (2021), video, choral work, 13′. Text: Anna Zilahi, music: Laura Szári, camera: Gergely Ofner, sound: Ferenc Juhász, performers: Varsányi Szirének.

Activating Memory through Ecological Ruins. On the Work of Monika Gabriela Dorniak, Nona Inescu, Laura Szári, and Anna Zilahi.

Rebeka Erdélyi Jan 30, 2026
review Magdalena Lazar, Two Stories About Communal Living, digital photography, steel, 2023, photo by Patryk Ogorzalek. Courtesy of the artist

Artist in Focus: Magdalena Lazar.  Material Tensions and Sensory Encounter.

Jan 30, 2026
essay UKI, film science fiction przedstawiający alternatywną rzeczywistość, Shu Lea Cheang, 2023. Kadry z filmu. Produkcja: Shu Lea Cheang i Jürgen Brüning. Dzięki uprzejmości LAS Art Foundation.

To Inscribe in the Ruins. Mimicry and Malware in the Work of TJ Shin and Shu Lea Cheang.

Eunha Chang Jan 30, 2026
essay Eva Jospin, Exhibition view, Grottesco, 2025, Grand Palais, Paris. © Benoît Fougeirol. Courtesy of the artist and Grand Palais. © Adagp, Paris, 2025

Daydreaming and Sleepwalking Among the Cardboard Ruins. Eva Jospin's Grotesque Mindscapes.

Alicja Głuszek Jan 30, 2026
Interview IN-RUINS residency 2025, Steffi Stouri, The Land as a Witness, Dauna Necropolis of Pietra Caduta, Canosa di Puglia. Courtesy of SABAP BAT and Foggia Superintendency, Archeofuturo APS, and the artist. Photo by Giuseppe Di Liberto

Beyond Ruins. An Art Guide into Memory and Care.

Patrycja Poznańska Jan 30, 2026
review Mihai Dragolea, personal archive

Mihai Dragolea: A Nomadic Filmmaker Who Refuses Invisibility.

Alex Mirutziu Jan 30, 2026
review Sátántangó, 1994, dir. Béla Tarr. Courtesy of Arbelos Films.

Where Things End. 7 Films on Ruins and the Afterlife.

Berenika Balcer Jan 30, 2026
essay Prezentacja zestawu do herbaty Forbidden Vernaculars. Zdjęcie: Amadeja Smrekar. Dzięki uprzejmości Krater Collective.

Presence in Absence. Memory, Debris, and Radical Potential.

Paulina Mamot Jan 30, 2026
essay THE DELUSION, Danielle Brathwaite-Shirley, 2025. Na zlecenie i wyprodukowane przez Serpentine Arts Technologies. © Danielle Brathwaite-Shirley, fotografia: Hugo Glendinning.

Pure Pleasure Seekers. Polymorphous Intimacies as Ecofeminist Praxis.

Maggie Kuzan Jan 30, 2026
review Karolina Breguła, kadr z filmu Dust, instalacja 5-kanałowa, 45 min, 2019. Dzięki uprzejmości artystki.

Artist in Focus: Karolina Breguła. Where Structures Fade.

Timika Sukhai Jan 30, 2026
essay Ozuma Patrick Chidiebube, Wired Differently, klawiatura komputerowa z recyklingu i części pokrewne, 40 x 40 x 12, 2024. Dzięki uprzejmości artysty.

When the Internet Starts to Rot. Art, Energy and the Slow Death Of The Web.

Favour Amoye Jan 30, 2026
Interview Photo by Roman-Sten Tõnissoo, KAI art centre, exhibition view: On fragile Grounds. Sirje Runge and light. Courtesy of KRUUS Collection

Collection KRUUS: (Re)discovering the Local in the Context of the Global. In conversation with Epp and Martin Kruus.

Marta Wróblewska Jan 30, 2026
Interview Maciej Zdanowicz, Tabula Salina. Courtesy of the artist

“Does the world still remember us?” In Conversation with Maciej Zdanowicz on Art as Shelter.

Klara Bender Jan 21, 2026